“She came up to me and said, ‘Do you know who the Pope of Rome is?’ ‘I’ve heard of him,’ I said. ‘I suppose you’ve read the Universal History, Parfen Semeonovitch, haven’t you?’ she asked. ‘I’ve learned nothing at all,’ I said. ‘Then I’ll lend it to you to read. You must know there was a Roman Pope once, and he was very angry with a certain Emperor; so the Emperor came and neither ate nor drank, but knelt before the Pope’s palace till he should be forgiven. And what sort of vows do you think that Emperor was making during all those days on his knees? Stop, I’ll read it to you!’ Then she read me a lot of verses, where it said that the Emperor spent all the time vowing vengeance against the Pope. ‘You don’t mean to say you don’t approve of the poem, Parfen Semeonovitch,’ she says. ‘All you have read out is perfectly true,’ say I. ‘Aha!’ says she, ‘you admit it’s true, do you? And you are making vows to yourself that if I marry you, you will remind me of all this, and take it out of me.’ ‘I don’t know,’ I say, ‘perhaps I was thinking like that, and perhaps I was not. I’m not thinking of anything just now.’ ‘What are your thoughts, then?’ ‘I’m thinking that when you rise from your chair and go past me, I watch you, and follow you with my eyes; if your dress does but rustle, my heart sinks; if you leave the room, I remember every little word and action, and what your voice sounded like, and what you said. I thought of nothing all last night, but sat here listening to your sleeping breath, and heard you move a little, twice.’ ‘And as for your attack upon me,’ she says, ‘I suppose you never once thought of _that?_’ ‘Perhaps I did think of it, and perhaps not,’ I say. ‘And what if I don’t either forgive you or marry, you?’ ‘I tell you I shall go and drown myself.’ ‘H’m!’ she said, and then relapsed into silence. Then she got angry, and went out. ‘I suppose you’d murder me before you drowned yourself, though!’ she cried as she left the room.

Gania was much confused, and blushed for shame “Do forgive me, prince!” he cried, suddenly changing his abusive tone for one of great courtesy. “For Heaven’s sake, forgive me! You see what a miserable plight I am in, but you hardly know anything of the facts of the case as yet. If you did, I am sure you would forgive me, at least partially. Of course it was inexcusable of me, I know, but--”

“And what about the maid?” asked Nastasia Philipovna, with undisguised contempt.

However, it appeared to Totski that he might make use of her in another way; and he determined to establish her in St. Petersburg, surrounding her with all the comforts and luxuries that his wealth could command. In this way he might gain glory in certain circles.

“Hippolyte Terentieff,” cried the last-named, in a shrill voice.

“No, no--prince, not now! Now is a dream! And it is too, too important! It is to be the hour of Fate to me--_my own_ hour. Our interview is not to be broken in upon by every chance comer, every impertinent guest--and there are plenty of such stupid, impertinent fellows”--(he bent over and whispered mysteriously, with a funny, frightened look on his face)--“who are unworthy to tie your shoe, prince. I don’t say _mine_, mind--you will understand me, prince. Only _you_ understand me, prince--no one else. _He_ doesn’t understand me, he is absolutely--_absolutely_ unable to sympathize. The first qualification for understanding another is Heart.”

But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him “brother,” while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein’s is! Why, this is the street, and here’s the house, No. 16.

“He is dying, yet he will not stop holding forth!” cried Lizabetha Prokofievna. She loosed her hold on his arm, almost terrified, as she saw him wiping the blood from his lips. “Why do you talk? You ought to go home to bed.”