Although the impudence of this attack, this public proclamation of intimacy, as it were, was doubtless premeditated, and had its special object, yet Evgenie Pavlovitch at first seemed to intend to make no show of observing either his tormentor or her words. But Nastasia’s communication struck him with the force of a thunderclap. On hearing of his uncle’s death he suddenly grew as white as a sheet, and turned towards his informant.
“It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.”
“Because he _didn’t_ exist--never could and never did--there! You’d better drop the subject, I warn you!”
“Oh, Antip!” cried he in a miserable voice, “I did say to you the other day--the day before yesterday--that perhaps you were not really Pavlicheff’s son!”
| “Just so! just so! He wanted to win over the aristocracy! When his eagle eye fell on me, mine probably flashed back in response. ‘_Voilà un garçon bien éveillé! Qui est ton père?_’ I immediately replied, almost panting with excitement, ‘A general, who died on the battle-fields of his country!’ ‘_Le fils d’un boyard et d’un brave, pardessus le marché. J’aime les boyards. M’aimes-tu, petit?_’ |
| “To judge from your words, you came straight to my house with the intention of staying there.” |
“Oh! _do_ teach us,” laughed Adelaida.
“One might dispute your right to ask such questions,” observed Lebedeff’s nephew.
At last he rose and declared that he would wait no longer. The general rose too, drank the last drops that he could squeeze out of the bottle, and staggered into the street.
| The prince regarded Lebedeff with astonishment. |
“The-the general. I would not let him in; there is no need for him to visit you, prince... I have the deepest esteem for him, he is a--a great man. You don’t believe it? Well, you will see, and yet, most excellent prince, you had much better not receive him.”
| “It is a pity you have taken too much wine, Lebedeff I want to ask you something... but...” |
| “I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?” |
After a formal introduction by Gania (who greeted his mother very shortly, took no notice of his sister, and immediately marched Ptitsin out of the room), Nina Alexandrovna addressed a few kind words to the prince and forthwith requested Colia, who had just appeared at the door, to show him to the “middle room.”
“It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.”
“He is the sort of man,” he continued, “who won’t give up his object, you know; he is not like you and me, prince--he belongs to quite a different order of beings. If he sets his heart on a thing he won’t be afraid of anything--” and so on.
“Then I began to talk about faces, at least about the _expressions_ of faces, and said that Aglaya Ivanovna was nearly as lovely as Nastasia Philipovna. It was then I blurted out about the portrait--”
“No! Allow me, that is not what we are discussing!” he cried, waving his hand to impose silence. “Allow me! With these gentlemen... all these gentlemen,” he added, suddenly addressing the prince, “on certain points... that is...” He thumped the table repeatedly, and the laughter increased. Lebedeff was in his usual evening condition, and had just ended a long and scientific argument, which had left him excited and irritable. On such occasions he was apt to evince a supreme contempt for his opponents.
| Exclamations of horror arose on all sides. The prince grew pale as death; he gazed into Gania’s eyes with a strange, wild, reproachful look; his lips trembled and vainly endeavoured to form some words; then his mouth twisted into an incongruous smile. |
“Look closer. Do you see that bench, in the park there, just by those three big trees--that green bench?”
| Her serious air, however, during this conversation had surprised him considerably. He had a feeling that he ought to be asking her something, that there was something he wanted to find out far more important than how to load a pistol; but his thoughts had all scattered, and he was only aware that she was sitting by him, and talking to him, and that he was looking at her; as to what she happened to be saying to him, that did not matter in the least. |
At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation.
“What I am really alarmed about, though,” he said, “is Aglaya Ivanovna. Rogojin knows how you love her. Love for love. You took Nastasia Philipovna from him. He will murder Aglaya Ivanovna; for though she is not yours, of course, now, still such an act would pain you,--wouldn’t it?”
“That same evening I stopped at a small provincial hotel, and it so happened that a dreadful murder had been committed there the night before, and everybody was talking about it. Two peasants--elderly men and old friends--had had tea together there the night before, and were to occupy the same bedroom. They were not drunk but one of them had noticed for the first time that his friend possessed a silver watch which he was wearing on a chain. He was by no means a thief, and was, as peasants go, a rich man; but this watch so fascinated him that he could not restrain himself. He took a knife, and when his friend turned his back, he came up softly behind, raised his eyes to heaven, crossed himself, and saying earnestly--‘God forgive me, for Christ’s sake!’ he cut his friend’s throat like a sheep, and took the watch.”
| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |
“Practised hand--eh?”
“I’m very, very glad to hear of this, Parfen,” said the prince, with real feeling. “Who knows? Maybe God will yet bring you near to one another.”
| “He sat down in amazement, and I lost no time in telling him the medical man’s history; and explained that he, with the influence which he possessed over his uncle, might do some good to the poor fellow. |
“Aglaya Ivanovna, it’s absurd.”
Gania was a beginner, as it were, upon this road. A deep and unchangeable consciousness of his own lack of talent, combined with a vast longing to be able to persuade himself that he was original, had rankled in his heart, even from childhood.
The prince continued to regard Nastasia with a sorrowful, but intent and piercing, gaze.
“But why wear a coat in holes,” asked the girl, “when your new one is hanging behind the door? Did you not see it?”
“Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently.
| “But who else _could_ it be, my very dear prince?” repeated Lebedeff, as sweet as sugar again. “If you don’t wish me to suspect Mr. Burdovsky?” |
“You’ve been _there?_” he asked, suddenly.
“At all events, the fact remained--a month of life and no more! That he is right in his estimation I am absolutely persuaded.
| “N-no: I have not been these three last days.” |
Farther on, in another place, she wrote: “Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion--perfection! I have seen you--I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection--it is simply an article of faith. But I must confess one sin against you--I love you. One should not love perfection. One should only look on it as perfection--yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written ‘Do not fear,’ as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!--Look at the signature--quick, look at the signature!”
“You are slandering them, Lebedeff,” said he, smiling.
“Old story? No! Heaven knows what’s up now--I don’t! Father has simply gone mad; mother’s in floods of tears. Upon my word, Varia, I must kick him out of the house; or else go myself,” he added, probably remembering that he could not well turn people out of a house which was not his own.
“But after all is said, we are mixed up in it. Your daughters are mixed up in it, Ivan Fedorovitch; young ladies in society, young ladies at an age to be married; they were present, they heard everything there was to hear. They were mixed up with that other scene, too, with those dreadful youths. You must be pleased to remember they heard it all. I cannot forgive that wretched prince. I never shall forgive him! And why, if you please, has Aglaya had an attack of nerves for these last three days? Why has she all but quarrelled with her sisters, even with Alexandra--whom she respects so much that she always kisses her hands as though she were her mother? What are all these riddles of hers that we have to guess? What has Gavrila Ardalionovitch to do with it? Why did she take upon herself to champion him this morning, and burst into tears over it? Why is there an allusion to that cursed ‘poor knight’ in the anonymous letter? And why did I rush off to him just now like a lunatic, and drag him back here? I do believe I’ve gone mad at last. What on earth have I done now? To talk to a young man about my daughter’s secrets--and secrets having to do with himself, too! Thank goodness, he’s an idiot, and a friend of the house! Surely Aglaya hasn’t fallen in love with such a gaby! What an idea! Pfu! we ought all to be put under glass cases--myself first of all--and be shown off as curiosities, at ten copecks a peep!”